December 27, 2006
As I stood there frozen in one spot, sketchbook in one hand, wearing my blue museum temporary pass for artists, only my hand and eyes moving rapidly back and forth across the page to the miniature hands, feet, eyelashes before me, I felt like time stopped. I could hear words around me and feel the presence of others but I was intensely focussed.
It was not what I had expected. I heard voices speak of someone they knew who was born prematurely. They guessed at the number of weeks so they could make comparisons. There might have been thirty people, maybe as many as sixty people who passed by during the 90 minutes I spent in that small room with those six glass cases. I heard in their comments what I was thinking and feeling as I drew. Not a single one made an inappropriate comment, not a single joke or smart remark. There was no fear, disgust or disrespect.
I have felt this in front of moving works of art by Rubens, Rembrandt, Jordaens, Escher, Akpaliapik. I have never experienced this in a museum like this before. Where is this situated in terms of museology? or in terms of the Exhibition of Cultures? Science and art have come together here to create a new knowledge system.
There are moments that artists experience while drawing from life, even still life. A detail reveals itself as if it was not there a moment ago. It’s just the way the eye automatically eliminates ‘noise’, the confusion of details that prevent us from seeing the whatness of things. But when you take 30 minutes, an hour, three hours to draw one thing, those hidden details become unforgettable. Suddenly I could see — with complete clarity — fingernails, the balls of the toes, wrinkles like a faint pencil mark creating baby frowns . . . I could imagine the shape of the womb.
I asked myself if the mother or child grieved to see us before this portrayal. No, it was more like a skillfully carved sculpture than an irreverent glance. It was after all created by the hand of God, before it was prepared for this place by scientists, technicians, artists and inventors. I actually silently prayed to see if there was any disrespect in the process of creating or exhibiting these forms. I wanted to feel the presence of a lost soul if there was any. The only souls I felt were living and like me, they were in awe.
Science World, Vancouver, British Columbia where I visited the exhibit and the Institute of Plastination, Heidelberg, Germany where inventor/artist Gunther Von Hagens has his headquarters, require that all artists wear a special pass while drawing in the exhibition space and that they send a copy to them within two weeks of the museum visit. This is the first of four drawings that I will be uploading to fulfill that requirement. The original sketches were done in a sketchbook c. 10″ x 6.5″ using a 0.5mm Pentel P205 pencil. I completed four drawings in c. 2 – 2 1/2 hours.
For more information on Body Worlds 1, 2 and/or 3 and the inventor/artist Gunther Von Hagens (b. 1945) see below:
November 8, 2006
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I really need to get outside and dig deep into my garden with my bare hands, pulling out weeds that are uprooted so easily in the good black earth. It is oddly calming for me.
I have learned too much technology this morning and I need to relax in the real physical world. There is nothing quite as physical as black earth under your finger nails. When I come back I want to consider the catalysts that led to my ongoing inquiries into the positive presence of absence, memory work, social exclusions, museology . . . Perhaps my inquiry is instantiated in the embodied Sarah Ekoomiak. I need to share what I have already gathered on her contributions but I cannot do this legitimately in the social sciences. So this will perhaps be in the form of a Flicktion. I will examine why in regards to these key words:
tarmac ethnology Sarah Ekoomiak Google News customized brain imagery Away Iqaluit airport Adobe Photoshop anthropology sociology cyberdelirium del.icio.us ethical topography of self everyday life Flicktion forgetting folksonomy taxonomy communal memory reconciliation RCAP geotagging Road to Nowhere hospitality qualia reflexivity methodology social sciences wikipedia
October 29, 2006
October 23, 2006
Creative Commons from my online Flickr album is composed of multiple layers. They include a .jpg of the Google Earth generated globe which is inverted, stretched and manipulated in 3 other layers, ripples from an M. C. Escher print and a stunning photo by a Professor Andrew Davidhazy from Rochester, NY. described on a few of the 80, 000+ references to him on Google as modest, talented, a great teacher and a ghost expert for photography. I have just licensed my work on line with the Creative Commons. Their icon lets people know that they can use your work for non-commercial reasons if they attribute it to you; they can make derivatives but they have to share-alike. Of course the challenge with Goggle Images is some of the most popular images available are difficult to track down in terms of authorship because there are already so many derivatives. This was the case with this drop of water by this well-known professor who continues to do astounding work. I left a comment on his web blog but I re-entered it three times before I realized he had wisely included an administrator’s block for unedited entries. It may take him ages to even check his comments. When he does he will find to his annoyance in his busy life, that I’ve inadvertently left three. More than that I just emailed him instead of Flckr’s team re: emailing our Flickr photos to WordPress. He is going to put me on his ‘block permanently list.’
An Inuit friend reminded me that many Inuit of Canada view the world from a circumpolar point of view. In honour of my Inuit friends and students from time to time I view the earth through their lens. I positioned then froze the globe from a circumpolar point of view using a Google save screen option. So I have geotagged this to the north east of Baffin Island, perhaps somewhere near Pond Inlet. Hello to the family of Julia and Ernie! Their family photo in their traditional clothing taken when they visited you in Pond Inlet in 2005, is framed and hanging in our home on Vancouver Island.
I have recently (2006/12/23) reworked this image @ Ripple Effects Wave Algorithm /
October 20, 2006
|An Adobe Photshop image consisting of 5 layered images: my Del.icio.us cloud tag, title layer, google generated 3-D virtual space with branching rivers as metaphors for organically emerging rhizomic pathways,|
a miniaturized image of Vancouver, BC’s skyline, the del.icio.us tag cloud image (my first since I began to use this free social bookmarking tech tool) and an altered topographical map of a site where a meteor landed. This final layer was inverted so the meteoric collision with the planet became the sun in this delicious cloud.
‘Folksonomies’ is an organic emerging term in an organic emerging system. Is it perhaps an example of autopoiesis constituting and nurturing its own rhizomic organization? There are economic, political, social as well as ontological and axiological dimensions to the unfolding taxonomy of cyberspace. Tag clouds leave visible trails of a blogger’s inner life. Unlike solitary browsing through library stacks or flipping through pages of a book, internet searching and browsing leaves digital imprints that allow us to retrace where we were yesterday in terms of our understanding of a topic. Theoretically how well we understand a debate or discussion informs how discerning we are in our judgments. Our ethical topography changes as we travel and encounter Others whose ideas and/or values resonate or are in dissonance with our own. Encounters with the stranger, one whose experience differs greatly from our own in some way, provides us with an opportunity to re-evaluate previously held beliefs or assumptions. In welcoming the Stranger in friendship with a heightened degree of hospitality that includes a willingness to tolerate ambiguity temporarily, to briefly at least set aside prejudices, we open ourselves to the possibility of fresh insight that expands for both of us. It is only through the invention of unique terms such as folksonomies, or ethnoclassification or perhaps tag.clouds that I might filter through infinite numbers of blogs on taxonomy and find the like-minded individual who is concerned about the potential emergence of an inclusive taxonomy that somehow includes the more socially vulnerable not as objects of charity but as fully participating members in civil society.