December 2, 2009
Overwhelmed that a photo of the Iqaluit cemetery taken from Happy Valley looking out over Koosejee Inlet in October 2002, can travel so far because of the initiative of Sep and Jonathan, two cyber citizens who have created Art 2.0: a collaborative art form linking (and hyperlinking) art, technology, consciousness . . .
Their methodology was impeccable, including dozens of collaborators through a series of courteous and informative emails that described the step-by-step process.
The final result is mind-boggling.
They provided the customized url for the image of pages on which the work of each contributor is shown:
They also provided a link to the Amazon site where the book itself is on sale at a very low price considering the high quality of the book design and its unique format which is a harbinger of a Art 2.0.
I am grateful they trawled Flickr and found a fragment of my own narrative . . .
After nearly 3 years of hard work we are so very happy to announce that We Feel Fine: An Almanac of Human Emotion is in stores starting today. You should all be receiving your books within the next few weeks, but we hope that you will take a sneak peek next time you’re at your local bookstore. Copies should be on the shelves of bookstores nationwide in the United States.
If you live within the Unites States, your complimentary copy of the book will be shipped out today or tomorrow. If you live outside of the US we will be shipping your book next week and it may take some extra time to get to you. Thank you all for being so patient and it shouldn’t be too much longer until you have it in your hands.
We also hope that you will spread the word and perhaps include the exciting news in your facebook status or on your blog. We will be posting the simple: “We Feel Fine book in stores today! http://bit.ly/wffbook)” in our facebook/twitter as well.
As we have said before we honestly couldn’t have done this without all of you and so on today of all days would like to send you all our sincerest gratitude. For me, personally, I have had an incredible time working on this book and a huge part of that has been reading your blogs. Thanks for everything. Best, Sep
Filed in Artists, Blogosphere, collaborative, Cultural Anthropology, Human Geography, microblogging, My personal product recommendations, social cohesion, Technology and Software, Technology. Mind and Consciousness, Visual Arts, Web 2.0
Tags: bricoleuse, collaboration, Creative Commons, cyberdelirium, cyberworld nomad, human nature, reflexivity, social cohesion, we feel fine
September 28, 2007
Speechless is now on WordPress’ list of Growing Blogs with 22,854 viewers. My first entry was entitled “Navigation Tools for the Blogosphere” and as I approach Speechless’ first anniversary I’ve just begun to use two new Open Source applications, CiteULike and Flexlists. I had attempted Zotero as a replacement for my huge EndNote library but I somehow lost the new library when I switched computers. CiteULike is all on-line and annotates references for me in formats used by academics. It also allows me to enter my CiteULike entries into my EndNote database. So far I’ve just been experimenting with compiling references on the concept of “memory work” in My Webliography and Bibliography. I have been contributing to building on-line resources of the concept “memory work” on wikipedia, deli.cio.us, WordPress, Googles Customized Search and Swicki.
I’ve also begun a list of key concepts on Flexlists which I prefer to call My Organic Glossary since it will mutate as my understanding of terms matures, deepens and develops through further teaching, learning and research.
I had attempted to use Babylon as an Open Source on-line build-your-own-glossary but realized that it is not actually free. It offers a limited introductory period followed by a pay-to-use plan. It would have been frustrating to invest time in building a glossary only to lose access to it!
I’ve started investing more time into my Google Customized Search on “Memory Work” and added Adsense. I have added refinements to it through labels: health, academic, article, museology, Inuit,
Filed in Blogosphere, collaborative, folksonomy, Memory Work, semantic web, Tag Clouds, teaching learning and research, Technology and Software, Web 2.0
Tags: blog stats, CiteULike, cyberdelirium, cyberworld nomad, del.icio.us, EndNote, EndNote 8, Ethical turn, flexlist, Google Customized Search, Halévy, Daniel, New generation social marketing, noise vs. pattern, Nora, Pierre, rapture of the deep internet, search engine optimization, SEO, social bookmarking, social.networks, Tag Clouds, tagging, taxonomy, zotero
In the mythopoetic language of the aria Nessun Dorma from the Italian opera Turandot by Giacomo Puccini’s (1858-1924) the nameless prince seeks to enrapture the cold-hearted judge. Lew (1997) described the opera’s “underlying theme of the law: La legge è questa” which is “almost like a magic spell.” The Unknown Prince enters the contest and wins. But he wants something more authentic in his relationship with the princess than simply solving her riddles. The aria Nessun Dorma refers to a sleepless night through which his judge, the vinegar-souled princess, seeks to deprive the prince of his prize. He sings of a secret hidden within him, of dissolving the silence and finally of conquest. See Lew (1997).
Knox described how the Idol judge vinegar-souled Simon Cowell could not help smiling as he listened to Paul Potts’ rendition of Nessun Dorma. His smile broke his face in half.
Journalist Jack Knox (2007) described 36-year old Welsh mobile-phone salesman, Paul Potts as the “classic underdog” looking like he “had been beaten all [his] life. ” Potts according to Knox was “poor, dumpy, shlumpy, overweight, slump-shouldered, with a gut-over-the-belt frame.”
The story of Paul Potts sharply contrasts with that of Joshua Bell, one of the world’s greatest violinists, who played his multimillion-dollar Stradivarius for spare change, incognito, outside a bustling Metro stop in Washington in a social science experiment. Commuters hurried by and only a rare few stopped to listen and were enraptured including one mesmerized very young child who tugged at his mother’s hand as she rushed to her next appointment (Weingarten 2007).
Location, location, location.
If Paul Potts had chosen to sing Nessun Dorma in that Metro stop in Washington in April 2007 would he have melted the hearts of vinegar-souled passersby? One thing is for sure, from now on, thanks to a combination of the popularity of Idol-style shows, Youtube and email if Potts were to sing for busy commuters he, unlike Joshua Bell would not go unnoticed.
to be continued . .
|Nessun dorma, nessun dorma …
Tu pure, o Principessa,
Nella tua fredda stanza,
Guardi le stelle
Che tremano d’amore
E di speranza.
|No one sleeps, no one sleeps…
Even you, o Princess,
In your cold room,
Watch the stars,
That tremble with love
And with hope.
|Ma il mio mistero è chiuso in me,
Il nome mio nessun saprà, no, no,
Sulla tua bocca lo dirò
Quando la luce splenderà,
Ed il mio bacio scioglierà il silenzio
Che ti fa mia.
|But my secret is hidden within me;
My name no one shall know, no, no,
On your mouth I will speak it*
When the light shines,
And my kiss will dissolve the silence
That makes you mine.
|Il nome suo nessun saprà
E noi dovrem, ahimè, morir.
|No one will know his name
And we must, alas, die.
|Dilegua, o notte!
|Vanish, o night!
At daybreak, I shall conquer!
From Lew (1997).
The copyright for the Italian libretto of Turandot has been held by G. Ricordi & Co. since 1926 (Lew 1997). aria Nessun Dorma
Flynn-Burhoe, Maureen. 2007. “Pearls before Breakfast: Story Dugg by papergirls.” >> papergirls. Uploaded May 16, 2007.
Knox, Jack. 2007. “Internet’s Idol’s Story Gives Hope to Us All.” Victoria, British Columbia: Times Colonist Sunday Edition. June 24, 2007. p. A3.
Lew, Mark D. 1997. “Turandot: Commentary on Symbolism, Poetry, and Nessun Dorma.” Last Updated September 29, 1999. Accessed June 24, 2007.
Weingarten, Gene. 2007. “Pearls Before Breakfast: Can one of the nation’s great musicians cut through the fog of a D.C. rush hour?” Washington Post. April 8. Page W10.
June 14, 2007
Logos from Web 2.0 are caught in the web somewhere between NASA photos of deep space, science fiction landscapes of our inner space, the synapses of the brain, the virtual space that is not abstract, imagined or really real.
Web 2.0, is a term coined by Tim O’Reilly in 2004 for a series of conferences on a revivified Internet. O’Reilly (2005) in what is now considered to be his seminal article claimed that, “If Netscape was the standard bearer for Web 1.0, Google is most certainly the standard bearer for Web 2.0 (O’Reilly 2005). He contrasted Web 1.0 with Web 2.0 by citing examples: DoubleClick vs Google AdSense, Ofoto vs Flickr, Britannica Online vs Wikipedia, personal websites vs blogging, domain name speculation vs search engine optimization, page views vs cost per click, publishing vs participation, content management systems vs wikis directories (taxonomy) vs tagging (”folksonomy”) and stickiness vs syndication. The conceptual map his team devised provides a sketch of Web 2.0 showing social networking sites, wikis, communication tools, and folksonomies.
Although some argue that it does not exist as anything more than geek jargon, for this new user, it is a promising and surprising paradigm shift in the Internet and in software development. I began blogging using Web 2.0 freeware in September 2006. Numerous users like myself have access to sophisticated, ever-improving software technologies since the cost of development is shared among enthusiastic nerds and geeks (in a good way). Freeware on Web 2.0 is not proprietary by nature but is capable of generating huge profits because of the viral way in which users share in the development, marketing and growth of the product while improving connectivity and in content in the process.
Note: June 2007. This image was included in Weinreich’s slideshare album with a layer of text he added:New Generation Social Marketing. He had to resize the image to the PowerPoint format. It is credited to me in the transcript. It is fascinating how digitage such as this has a potential for producing offshoots. I am investigating the potential of slideshare for managing teaching, learning and research digitage (slides) in one place. I started to put them in my Flickr albums. Since I first created this image I have begun to use YouTube, Google docs, iGoogle and Facebook so there are several layers of text orbits to be added . . .
Key words: slideshare, academic, blog, blogging, collaboration, presentation, web2.0, powerpoint, slides, sharing presentations, slideshare, academic, collaboration, presentation, web2.0, powerpoint, slides, sharing presentations, Tim O’Reilly, wordpress.com, vastation, synaptic gasp, swicki, synapses, synaptic cleft, synaptic gap, rapture of the deep internet, photoshop, neuroscience, neural architectonics, mind-brain, googleearth, gather, frimr, flickr, digitage, delicious, cybernarcosis, cyberdelirium, cyberdeliria, creative commons, consciousness, bricoleuse, blogspot, blogging, art and science, technology, mind, Adobe Photoshop
Tim O’Reilly, 2005. “What Is Web 2.0: Design Patterns and Business Models for the Next Generation of Software”. Uploaded 09/30/2005. Accessed January 6, 2007.
Filed in Art and Science, Blogosphere, collaborative, Concepts/Ideas, folksonomy, geotagging, teaching learning and research, Technology and Software, Technology. Mind and Consciousness, virtual, Visual Arts, Visual.Arts, visualizations, Web 2.0
Tags: Adobe Photoshop, bricoleuse, connectivity, Creative Commons, cyberdelirium, del.icio.us, digg, digitage, EndNote, facebook, flickr, Gnosis, Google, Google Docs & Spreadsheets, Google Video, GoogleEarth, HTML, iGoogle, images, Learning from users, metaphorical concepts, My Google Video, My swicki, neural architectonics, New generation social marketing, noise vs. pattern, photoblog, powerpoint, PowerPoint slides, rapture of the deep internet, ReadWriteWeb, rhizome, search engine optimization, semantic markup, SEO, size/resolution, slideshare, slideshow presentions, social bookmarking, social.networks, Switch 1.04, Synaptic cleft, Synaptic gap, Synaptic gasp, tagging, Technorati, Toolbox, vastation, video, Visual Anthropology, wiki, wikipedia, XHTML, youtube, zotero
In my ongoing investigation of connectivity innovations in Web 2.0 I have uploaded shaky (longtake) videos to a YouTube oceanflynn account using the Canon PowerShot A550’s basic video clip capacity. As YouTube background I used a Flickr image adapting Escher’s rippled reflections and Davidhazy’s macro shots of water drops. Flickr images cannot be used directly with YouTube so I used the .jpg url of that image from my Speechless @ WordPress uploads. YouTube seems to limit uploads to one a day? The tags are limited and so are categories. I use travel. Uploading is very fast and easy. There may be fewer views of my slow world videos than on Google Videos. There is more room for descriptions on Google Video. I think the full upload time is longer. Both are seamlessly integrated with WordPress through a simple html-like code using  brackets instead of <> youtube = and googlevideo =
I am using Google docs as a space for note-taking related to my YouTube and Google Videos. It allows me to add images seamlessly with no problems formatting. I appreciate the ‘remove coding’ icon so I can keep coding as plain as vanilla. It helps me keep track of bibliographies and webliographies although these are also on delicious. Google docs also allows for lots of tags (folksonomy is the key to connectivity). Although these docs are often a mess of collaged text, urls and images, they help me keep track of information such as First Nations preferred names for places, evidence of benign colonialism, etc.
I uploaded some digital images from our two excursions this weekend to oceanflynn @ the Google Earth community.
Filed in Blogosphere, folksonomy, geotagging, semantic web, slow world, Technology and Software, Web 2.0
Tags: bricoleuse, connectivity, Creative Commons, cyberdelirium, cyberworld nomad, del.icio.us, Destination Guides, EndNote, ethical topography of self and the Other, facebook, flickr, Google, Google Docs & Spreadsheets, Google Video, GoogleEarth, HTML, Hudson's Bay Company, My Google Video, My swicki, rapture of the deep internet, rhizome, search engine optimization, SEO, social bookmarking, youtube
May 12, 2007
The things we do with words . . .
For awhile after I had noticed my speechless blog stats reached 10, 000 (whatever that means) I couldn’t write anymore. Weeks later when I started again the stats graph revived. I have no idea how that works.
Since October 2006 I have been able to connect Flickr, Google Docs, iGoogle homepage, Google Video, deli.cio.us, Digg, My Swicki, Facebook, wikipedia through my WordPress blog while living on an Island off the West Coast.
The widget counter on my iGoogle reminds me each day that we will be packing again soon. Somehow I hope that Speechless will provide a virtual space that even mountains can’t block.
Filed in Blogosphere, folksonomy, Technology. Mind and Consciousness, Web 2.0
Tags: Adobe Photoshop, blog stats, bricoleuse, cyberdelirium, cyberworld nomad, del.icio.us, digg, EndNote, facebook, flickr, Google, Google Docs & Spreadsheets, Google Video, human agency, My Google Video, My swicki, rapture of the deep internet, reflexivity, search engine optimization, SEO, social.networks, tagging, wikipedia