Honoré Jaxon

Honouring Honoré Jaxon (1861-1952) ocean.flynn (2009-12-03) Layered Images: PhotoShop CC 3.5

The life story of Honoré Joseph Jaxon born William Henry Jackson (1861-1952) is inextricably linked to the history of Canada, to the story of missing archives, to the history of the early North American Baha’is, the history of early social justice movements. Fragments of the “missing” archives have been partially restored through the work of countless historians, artists, social scientists, cultural workers and journalists. Jaxon adopted the cause of the Métis and worked tirelessly to build an archives that literally weighed three tons when he was evicted from his New York apartment in 1951 at the age of 90. His archives were almost completely destroyed and he died with a broken spirit three weeks later.

A timeline of selected events in the contextualized life of Honoré Joseph Jaxon born William Henry Jackson (1861-1952)

10,000 years ago or more The hunter-gatherer ancestors of Manitoba’s First Nations were already in the area at least 10,000 years ago. Even then the forks of the Red and Assiniboine rivers (where Winnipeg now stands) provided a natural major gathering place of different First Nations. All of Manitoba’s rivers—the Nelson, Churchill and Hayes—flow directly into Hudson Bay. The Saskatchewan River flows into Lake Winnipeg from the west, the Winnipeg River from the east, and the Red River from the south. The Assiniboine, joins the Red River at the Forks in Winnipeg.

1612 The first European reached present-day Manitoba.

1690 Henry Kelsey, traveled the northern part of the Manitoba. He was the first non-aboriginal to do so.

In 1738, Fort Rouge was built at the junction of the Red and Assiniboine rivers. The Forks, as the junction was called, became the centre of a the fur trade.

In 1811, Lord Selkirk, from Scotland established the Red River Settlement with plans to increase agricultural production at the forks of the Red and Assiniboine rivers.

1817 Quebec Catholic missionaries arrived on the east side of the Red River.

1837 The Upper Canada Rebellion was led by William Lyon Mackenzie against the ruling oligarchy in York (now Toronto), Upper Canada.

1844 Louis Riel was born near modern Winnipeg, Manitoba, in the Red River Settlement, a community in Rupert’s Land nominally administered by the Hudson’s Bay Company (HBC), and largely inhabited by First Nations tribes and the Métis, an ethnic group of mixed Cree, Ojibwa, Saulteaux, French Canadian, Scottish, and English descent. Read the rest of this entry »


Arctic Adventurer: We Feel Fine

Arctic Adventurer: We Feel Fine,
originally uploaded by ocean.flynn.

DRAFT
Photos of Iqaluit cemetery taken October 2002; Uploaded to Flickr, Trawled by wefeelfine, Linked to wordpress, wefeelfine.org

American artist, Jonathan Harris describes his work on his website:

“I make (mostly) online projects that reimagine how we relate to our machines and to each other. I use computer science, statistics, storytelling, and visual art as tools. I believe in technology, but I think we need to make it more human. I believe that the Internet is becoming a planetary meta-organism, but that it is up to us to guide its evolution, and to shape it into a space we actually want to inhabit—one that can understand and honor both the individual human and the human collective, just like real life does (Harris).”

“Sep Kamvar is a consulting professor of Computational Mathematics at Stanford University. His research focuses on data mining and information retrieval in large-scale networks. He also is interested in using large amounts of data and accessible media in the study of human nature through art. [Among his other areas of interest he includes] probabilistic models for classification where there is little labeled data (Sep Kamvar’s blog profile).”

Glossary of Terms

Nonlinearity: “At the beginning of Chapter 5 in Kurt Vonnegut’s Slaughterhouse-Five, Billy Pilgrim finds himself in jail on the planet of Tralfamadore. Billys captors give him some Tralfamadorian books to pass the time, and while Billy can’t read Tralfamadorian, he does notice that the books are laid out in brief clumps of text, separated by stars. “Each clump of symbols is a brief, urgent message — discribing a situation, a scene,” explained one of his captors. “We Tralfamadorians read them all at once, not one after the other. There isn’t any relationship between all the mssages, except that the author has chosen then carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.” Harris and Kamvar aimed to write Almanac of Human Emotions in the telegraphic, schizophrenic manner of tales from Tralfamadore, where the flying saucers are.”

Open Platforms: “The power of open platforms in enabling the easy generation of consumable content has been demonstrated repeatedly on the internet, not only with the web itself, but also with sub-platforms like Facebook, Flickr, Google Gadgets, among others. I am interested in platforms that easily enable high-quality content creation for developers and provide a straightforward content consumption and navigation experience for users.”

Open Sub-platforms Open Sub-platforms like Facebook, Flickr, Google Gadgets, among others, facilitate the generation-creation of high-quality consumable content while providing easier access and consumption for users.

Timeline

Webliography and Bibliography

http://wp.me/p1TTs-j6


I work with so many Web 2.0 applications I forget them so this post as an update on what I am still finding useful after 4 years of uploading, posting, tagging, linking, etc, using digital technologies including proprietorial (EndNote, Adobe Creative Suite, Windows) and open source (WordPress, Flickr, Delicious, Slideshare, Picassa and a myriad of Google products). Although my resources are meant to be shared, these technologies help me to trace how a my own cartography of mind organically evolves. They also serve as a mnemonic devices, a virtual memory palace.

Endnote1 is still my preferred entry point for new reference material and the easiest to search. I’ve created a library just for 2009 but this can be easily integrated into my entire library. I would like to add all of my timeline entries into Endnote as I did with Inuit Social History, Museology, etc. I need to have precise ethnoclassification first so I can find them.

Notes

1. I had hoped to replace this proprietorial software with another open source but I have been using EndNote since the early 1990s. My post Zotero versus Endnote is still one of my most visited.

Webliography and Bibliography

Shortlink for this post http://wp.me/p1TTs-im


Calgary sunlight in January 2009 with artist reflected in vase . . .

From MyArtWork
From MyArtWork

Compare the image from the free account at Picasaweb (1600×1200 pixels – 261KB) with the following (1024 x 768) from the free account at Flickr:

New Blue Spherical Reflection

New Blue Spherical Reflection,
originally uploaded by ocean.flynn.

Dendrons, Pisces and the CosmosThis layered image 1440 x 900 at 300 dpi is one stage of the development of my next digitage entitled "Digitage Web2.0 Plus." It is an update on Logo Digitage ( http://snurl.com/25nqe ) in my Flickr album that was the basis for slideshare.net .ppt called Deconstructing Digitage: Web 2.0 as Organic Rhizomic Synapses which has had 1859 views since first uploading 8 months ago.

A comment from slideshare.net cofounder Amit Ranjanon ( http://snurl.com/266mt ) on the .ppt about the low resolution along with the need for .ppt default sizes for to increase shareability, led me to revisit the original .psd file and the .jpg components.

Each layer is being revisited and updated as I learn more about Adobe Photoshop tools and more about each of the component metaphorical images embedded in the many layers. At the same time I am learning more about the organic growth of Web 2.0 Plus (also called Web 3.0, etc). Aggregators and microblogging technologies like twitter http://snurl.com/25t6 have enhanced and simplified connectivity while confusing virtual cartographic projects to visualize the blogosphere as it grows exponentially. I learn from others and also by playing with new technological tools. I remain a bricoleuse, better able to find things in the virtual thrift stores that might come in handy one day. I don’t like to learn by following anymore than the basic instructions and the need-to-know-how things for reasons of security or time-efficiency.

This entry is posted on speechless.

Folksonomy for Flickr

View ocean.flynn’s map
Taken in a place with no name (See more photos or videos here)
This layered image 1440 x 900 at 300 dpi is one stage of the development of my next digitage entitled “Digitage Web2.0 Plus.” It is an update on Logo Digitage ( snurl.com/25nqe ) in my Flickr album that was the basis for slideshare.net .ppt called Deconstructing Digitage: Web 2.0 as Organic Rhizomic Synapses which has had 1859 views since first uploading 8 months ago.

A comment from slideshare.net cofounder Amit Ranjanon ( snurl.com/266mt ) on the .ppt about the low resolution along with the need for .ppt default sizes for to increase shareability, led me to revisit the original .psd file and the .jpg components.

Each layer is being revisited and updated as I learn more about Adobe Photoshop tools and more about each of the component metaphorical images embedded in the many layers. At the same time I am learning more about the organic growth of Web 2.0 Plus (also called Web 3.0, etc). Aggregators and microblogging technologies like twitter snurl.com/25t6 have enhanced and simplified connectivity while confusing virtual cartographic projects to visualize the blogosphere as it grows exponentially. I learn from others and also by playing with new technological tools. I remain a bricoleuse, better able to find things in the virtual thrift stores that might come in handy one day. I don’t like to learn by following anymore than the basic instructions and the need-to-know-how things for reasons of security or time-efficiency.

Flickr groups to which this image belongs: Art & Theory Nobs (Pool), Folksonomy (Pool); Digg It Flickr. Pool (Pool) [X]

Flickr folksonomy: folksonomy, flickr, digitage, creation, creativecommons, connectivity, blogging, adobephotoshop, 1440×900, microblogging, mindbrain, mind, neuralarchitectonics, neuroscience, portrait, powerpoint, powerpointbackground, presentation, raptureofthedeepinternet, reflexivity, rhizome, sharingpresentations, selfportrait, slides, slideshare, synapses, synapticgasp, tagclouds, tagging, taxonomy, technology, theoryinpictures, twitter, vastation, visualization, visualizations, web20, wordpresscom,


Flynn-Burhoe. 2008. Holomorphic forms on blue teapot Flickr

I was first introduced to the work of Xianfeng David Gu’s mesmerizing Escher-like visualizations of Computational Conformal Geometry on the jacket design of Spiro, George G. Spiro’s inspiring publication entitled Poincare’s Prize: The Hundred-Year Quest to Solve One of Math’s Greatest Puzzles (2007). It was his visualization of holomorphic (differentials) forms on the surface of a teapot that immediately caught my attention. (I had borrowed the book from the public library because of my fascination with Perelman’s story). Distort Spherize

My interest in surface reflections hidden in larger paintings developed into renditions of the reflections, particularly on spherical surfaces, encouraged in part by M. C. Escher’s iconic self-portrait.

In 1999 I began a series entitled Blue teapot where I emphasized the white visual noise/pattern on the highly reflective sephrical surface of a shiny (blue) sphere. Intuitively using laws of perspective I sought the diverse and elusive vanishing points of the spaces behind me, above me and below me as well as the more obvious space defined by Renaissance linear perspective in front of me. I was conscious of the inability of the author/artist/subject to eliminate the presence of the embodied self from the centre of these spheres.

I’ve incorporated this into different paintings since then sometimes creating a self-reflexive miniaturized mise-en-abyme effect.

Webliography and Bibliography

Gu, Xianfeng David. 2006. “Riemann Uniformization using Ricci Flow Method.” http://www.cise.ufl.edu/~gu/tutorial/Ricci_Report.pdf

Gu, Xianfeng David. 2006. “Computational Conformal Geometry Lecture Notes: Topology, Differential Geometry, Complex Analysis” http://www.cise.ufl.edu/~gu/tutorial/ComputationalConformalGeometry.pdf

Gu, Xianfeng David. 2006. “Isothermal Coordinates.” in PowerPoint “Computational Conformal Geometry Lecture Notes: Topology, Differential Geometry, Complex Analysis” http://www.cise.ufl.edu/~gu/tutorial/ComputationalConformalGeometry.pdf

Gu, Xianfeng David. 2006. “Figure 19: Holomorphic 1-forms on surfaces.” in PowerPoint “Computational Conformal Geometry Lecture Notes: Topology, Differential Geometry, Complex Analysis” http://www.cise.ufl.edu/~gu/tutorial/ComputationalConformalGeometry.pdf

Spiro, George G. 2007. Poincare’s Prize: The Hundred-Year Quest to Solve One of Math’s Greatest Puzzles. New York: Dutton/Penguin.


The strong Coulomb force or intermolecular attraction between water molecules in water drops due to the polarity of hydrogen’s tetrahedral configuration, is an excellent example of cohesion between like molecules. When refering to unlike molecules the term is adhesion.

Thank you wiki for the info and Melanie for the rose.

“Image of the layer on the term “cohesion” is from the Visual Thesaurus, Copyright ©1998-2008 Thinkmap, Inc. All rights reserved.” And such attribution, when clicked should also link back to the Site.

The resolution of this PowerPoint slide is set at W:1440 pixels x H:900 pixels which is the slowest speed and highest fidelity that the author can set under the Slide Show settings >> Set Up Show >> Slide Show Resolution. The background image of the PowerPoint program screen was frozen in Adobe Photoshop and saved as a .jpg at a resolution of 300 dpi (pixels per inch), 3.71 M, and a Document size of W12.19 cm x H7.62 cm.

Update:

I was unsure of Visual Thesaurus’ Terms of Use for the visualizations of terms generated by their software, so I filled in their on-line form in some detail. Two hours later I received a phone call from them! When I explained that the image was to be used on my personal blogs including Flickr and WordPress and that they might be incorporated into a presentation at the Association for Baha’i Studies annual conference which is on Social Cohesion, the representative immediately agreed that there was no problem with using it in this way! I was impressed with the rapidity of the response.

Since I am experimenting with free open source material I cannot purchase their user-pay products but I can certainly recommend the minimalist, elegant and functional design of their visualizations and recommend that those who can investigate both MindMap and Visual Thesaurus as technologies.

folksonomy: connectivity, twitter, slideshare, speechless, flickr, PowerPoint, AdobePhotoshop, image:resolution, Creative Commons, design, social cohesion, Visual Thesaurus, mind maps,

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