Righting qualia: A momentary occlusion of the light
January 31, 2007
The words of Plato, Aristotle, St. Thomas Aquino, John Locke, Thomas Hobbes, Adam Smith, John Stuart Mills are unleashed from their exclusive, leather bound, Victorian-book-shelves tumbling into our homes via the impressive printerless, pressless, Gutenberg-like Internet worlds of full-text-online versions open to all Internet users. Their language is infinitely more readable than their 20th century counterparts. Web 2.0 tools such as Gnosis ClearForest, provide readers with hot links sprinkled throughout their essays, contributing to making their arguments even more accessible.
But it is in the language of novelists gifted in putting words to varied, shape-shifting, complex, unconscious states, qualia who are able to weave philosophy into fiction, to describe not only material culture through time and space but succinctly provide words when we ourselves are speechless.
From my local library I have free access to the entire series of West Wing. So with my morning coffee I watched as the fictional US President Bartlett with his fictional Nobel Peace Prize and the West Wing staff attempted to articulate specific words for a state of the economy that was not a recession − since the word was forbidden as a bad omen in the West Wing ─ but a state that encompasses a bit of moderate, albeit divergent economic viewpoints, in other words a lexicon of economics within a highly, textured, nuanced dialogue.
I watched as they tried to stretch the meaning of freedom so it could encompass the 18th century Founding Fathers right through to negotiations with North Korea in the 21st century and all that is in between. I also learned from the episode that the word Han in North Korean ─ the name of the 22-year-old North Korean protegé ─ pianist who chose to return to his own country rather than defecting, to protect a higher state of freedom,means a state of profound sorrow with a touch of hope.
Before I turn to my PC and my blogs, I read a paragraph from the new stack of library books recommended on-line by the New York Times, this one entitled Eclipse by John Banville. This sentence evoked a multi-layered state of synethesia with a full orchestra of fragrances, textures, images and sounds reminding me of my own experiences like this one described in the opening paragraph,
“Then a slight thickening in the air, a momentary occlusion of the light, as if something had plummeted past the sun, a winged boy perhaps, or falling angel.”
The entire book seemed condensed into this one phrase revealing the extent to which the speaking, writing and reading of words can also be experiencing. These are the things we do with words.
| Number of Words: | 457 |
Flynn-Burhoe, Maureen. 2007. A momentary occlusion of the light: a Review of Banville, John. 2000. Eclipse. London: Macmillan Publishers.
Kiss Me, I’m Irish
January 26, 2007
| She shook with laughter as she held up a pair of men’s boxer shorts with the Kiss Me I’m Irish logo. Strands of her thick black wavy hair shoulder-length hair fell across her honey-coloured cheeks and she pushed them back as she lifted her face. “I love it!”she exclaimed. “I want it!” It reminded me of a family story that I wanted to tell her. Ever since she became a member of our Irish-English family she has made us all even more aware of our genealogy. |
My linguist son is looking into the (Gaelic) Goidelic languages which according to wikipedia have historically been part of a dialect continuum stretching from the south of Ireland, the Isle of Man, to the north of Scotland. They are one of two major divisions of modern-day Insular Celtic languages and Brythonic Goidelic is generally divided into: Irish Gaeilge, Scottish Gaelic Gàidhlig and Manx Gaelg.
I’m uploading my oral and archival family history so my grandchildren present and future will know from where they have come.
Meanwhile my youngest son and his beautiful French wife have sent us the most emotionally-charged images I could imagine.
Inter-uterine photography may not evoke wonder and awe in everyone, but when the grandson (we now know it is a boy) is visible thanks to technology and sharable (thanks to email attachments) I am enraptured. But it’s not just the still .jpg images where he looks like a sculpture cast in pure gold, we can see his movements thanks to .avi even though is is only 15 weeks old. I approach him with such reverence and in speechless wonderment because these images are rare images from a world within worlds. There is no comparison between the jolting experience of sketching at Body Worlds 3 in December and the experience of these images on my screen. These are situated somewhere between 13 weeks and 21 weeks but this is so much more real, related and therefore relevant to my own existence. This child will be in our hearts, minds and souls through all the worlds of God.
But more than that . . . he is also related to these Irish, British, French ancestors in Europe, the United Kingdom and Canada. If my father were alive he would be including this lad in his gathering of the clover. Each summer my Irish father would find by his own magic a four-leafed clover — the Irish good-luck symbol — for each of his six children. He only looked in areas surrounding our cottage at Rocky Point, Prince Edward Island. I think of him as I think of this new generation for I have seen his abilities and strengths in my own sons.
How are we measured in the larger scheme of things? If it is by our material possessions then we have not fared well, but if it has anything to do with our children and grandchildren, we are fortunate, deeply grateful . . .
Tag Clouds WordPress Featured Blog
January 23, 2007
With the unfolding of Web 2.0 technologies, software developers such as authors/technicians are constantly improving their products. WordPress for bloggers, has a Featured Blogs element which uses the user’s tag clouds with an algorithm to generate clusters of tags. This is one of the clusters for my entries categorized under tag clouds itself.
Using the liquify tool in Adobe Photoshop I digitally manipulated text tags chosen by WordPress, maintaining WordPress generated proportions by using larger or bold fonts to visually demarcate tags that were used more often in this tag cloud.
I wanted the shapes of the words to take flight, to mimic the movement of the clouds.
I took this photo when I was on a First Air flight from Ottawa to Iqaluit, Nunavut in 2003. I think I used to ask for Row 21, a window seat so I could take aerial photos.
Cyberworld Nomad, FreeMemory and Invaders
January 19, 2007
To: WordPress feedback
I have been receiving spam comments over the last few weeks. I am automatically sent their urls and IDs which seem to be either non-existent, new commercial sites or one claiming to be some form of experimentation to inflate figures artificially. Since my free site is purely non-profit, I am not even able to add Adsense for example, I wonder why they target them? Inflated figures for me are counter-productive. I pay attention to the searches used because I really want to know why my content is of interest, to whom and how can it be of more efficient use in terms of my own objectives which are content/connectivity related. The spam messages vary from compliments of my site, ambiguous but deceptively intriguing comments or just initials. I have left them on my sites so you could investigate. Is there a way to prevent them?
I have been developing a small village of sites in the cyberworld using free Web 2.0 technologies in order to upload content that I found useful to my many years of teaching, my research . WordPress offers features that are invaluable and incomparable and are not available on other sites.
The success of your Featured Tag event, the efficient targeting of links between Google search engines and WordPress tags, the seamless interface between WordPress widgets and Flickr are unbelievable. This new mouse-over feature which allows a thumbnail of hotlinks is but one example of many of the features I enjoy. My one concern with WordPress is that I use up my available memory as a free site on my Speechless account. It is the one that gets most visits so I have been building it most in response to those visits.
Thank you, Maureen Flynn-Burhoe
Fireplace with Easel and Artist Reflecting
January 13, 2007
Moving Pictures History: the Monterey Bay Aquarium and H4X0R
January 13, 2007
This is a test: Jason Paterson hosts this live web cam of a tank of fish in the Monterey Bay Aquarium Jason’s email is mobtuff+robotsarewaycool@gmail.comand he describes the site as follows: “Monterey Bay Aquarium live web cam of the outer bay display. This web cam is live from 7am to 7pm. Feeding times are at 11am Tuesday, Thursday, Saturday and Sunday. Keep an eye out for the Great White Shark! Please visit the Monterey Bay Aquariums website to learn more.” Jason’s photo is @ http://jpaterson.googlepages.com/ninjachild70×100.png and he describes himself as “I’m pretty much the coolest guy I know. People call me the H4X0R, Captain, Commander, WastedYeti, etc. What ever you prefer really. I mean I’m just a simple code crackin’, sword swingin’, ninja star throwin’ etc. Shoot me an email if you would like to converse with the most ultimate person ever.”
I read somewhere that one of the earliest moving pictures was of fish in an aquarium. I can’t find the source and I am beginning to question it now but I did find some interesting links to aquariums and the history of moving pictures.
Watching this tank full-screen from this site is oddly soothing. I have the .rss feed on my customized google home page. I’m going to email Jason to thank him and find out if this is a legitimate link! This is his url http://jpaterson.googlepages.com.
I am fascinated by social histories including histories of popular culture. According to David Curtis in his presentation which is now online entitled “Which History?” presented at the Tate International Council Conference on June 1st 2001, the Lumiere brother’s cameraman Alexander Promio who filmed the general section of the ‘Panorama of Liverpool docks taken from the electric railway’ in 1897 was Britain’s first film-artist.
This is Curtis’ full list of his nominations for a moving pictures history: Alexander Premio – ‘Liverpool Docks’ 1897
Chris Newby – ‘Stromboli’ 1990 -1997
Guy Sherwin – ‘Bicycle’ from ‘Short Film Series’ 1980
William Raban – ‘Thames Film’ 1984
Kenneth Macpherson – ‘Borderline’ 1930
Isaac Julien – ‘Long Road to Mazatlan’ 2000
Ian Bourn / Helen Chadwick – ‘End of the World’ 1982
Jayne Parker – ‘Crystal Aquarium’ 1989
Mark Wallinger – ‘Angel’ 1997
Rose Finn-Kelcey – ‘Glory’ 1982
David Lamelas – ‘To Pour Milk Into a Glass’ 1972
Peter Gidal – ‘Upside Down Feature’ 1972
Oswell Blakestone & Francis Bruguiere – ‘Light Rhythms’ 1930
Lis Rhodes – ‘Light Music’ 1975
This is a history of moving pictures in Brighton which lists the “Aquarium Kinema, Madeira Drive, Brighton Film shows were given at the Aquarium before the turn of the century. The Winter Garden at the Aquarium was known as the Aquarium Kinema for a short time during the First World War. After remodelling in 1927-1929, it reopened on 12 June 1929. During the 1930s it was called the Princes Hall (Cinema); occasional film performances, as well as concerts and live theatre, were held here until 1939. During the Second World War it was requisitioned by the RAF. It was used for various purposes thereafter, including the Florida Nights dance hall and Montagu Motor Museum, but none of them including film.”
This
1885 photo of the original Brighton aquarium is hosted on the virtual museum’s site.
[To be summarized]Eugenius Birch’s original design incorporated a variety of styles. Grand archways, columns and elaborate stonework reflected the Pompeian and Gothic influence. Statues of Bath stone, green marble and red Edinburgh granite were used in its construction. The Aquarium’s foundations were dug deep into the ground as the building was not allowed to be taller than the neighbouring promenade, Marine Parade. The distinctive clock tower and gateway to the Aquarium were added in 1874. The four corners of the clock tower bore bronze statues symbolising the seasons. Images of mermaids and sea-nymphs were evident elsewhere in the structure. A frieze inscription at the entrance stated: ‘And God said, Let the water bring forth abundantly the moving creatures that hath life.’ Among those moving creatures were a number of specimens that inspired great interest. The Dublin Bay Prawn of 1874 attracted considerable excitement. In 1880 a manatee was displayed in a huge tank that enabled the viewer to witness the creature at eye level. Sea lions arrived in 1877 and were able to successfully breed. Rather drier attractions could be found elsewhere. The waterfall grotto proved a popular meeting place, and concerts were regularly held in the conservatory. By 1876 the roof terrace had been expanded to incorporate a roller-skating rink and smoking room. Film shows were increasingly common from the end of the nineteenth century, and the conservatory was briefly known as the Aquarium Kinema.
A brief history of moving pictures in Randwick, Australia which included this section: “The Coogee Palace Aquarium had one of the earliest electric picture shows in about 1912. The first film shown was “The Defeat of the Spanish Armada”. Another cinema in Randwick, “The Orient Pictures” situated on the corner of Coogee Bay Road (opposite the Royal Hotel) was an open-air type, which provided “excellent up-to-date moving pictures” in 1911 and probably earlier.”
Robert Flaherty’s Nanook of the North, (1922) a record of Inuit Eskimo life, was the first feature film documentary or non-fictional narrative feature film. [The word "documentary" was reportedly first used in February, 1926, by John Grierson in his review of Flaherty's Moana (1926) for the New York Sun. The term may also have been used 12 years earlier by famed photographer Edward Curtis in a prospectus for his Seattle-based Continental Film Company, referring to his film In the Land of the Headhunters (1914).] Flaherty’s film helped to usher in the documentary film movement, although it raised some controversy because it ‘re-created’ or staged some of its hunting scenes, rather than being truly non-fictional. Film site milestones in film history.
This is an excellent site with concise information about the history of moving pictures. I still haven’t found the reference to early films of fish tanks. I remember learning of this through the work of a contemporary Canadian artist who built a makeshift film-making device in reference to this early film using an old wringer washing machine.This particular popular culture history intrigues me since its effect on shared communal memory is probably so profound. Nanook of the North was known worldwide.
Nihilist chewing gum
January 12, 2007
One of my daughters-in-law took me out for lunch, bought me clothes and sent me home with a surprise lobster for dinner. My new daughter-in-law phoned me last night and between guffaws of laughter told me she was sending me some nihilist chewing gum. It is black and has absolutely no flavour because we don’t believe in flavour.
Frankly I can’t wait until she calls me today to see what she will come up with next! We spent a week together over the holidays. The weather was bad, my son was sick with the flu. She kept us in stitches the whole time. She made us all do an online personality test. I almost matched her with the colour orange but she is really pure gold. That wasn’t one of the colours listed.
Perhaps I shouldn’t have told her I was a nihilist since it is not for everyone. She is at the opposite end of the spectrum! It’s hard to imagine someone who says they believe in God having anything in common with Nietszche.
If every nihilist had a golden daughter-in-law the world would be a better place, that is if there is a future . . .
Nietzschean diet: eat whatever you fear most
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New Nietzschean Diet Lets You Eat Whatever You Fear Most







